Mandabi

Senegalese drama exploring poverty and corruption

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About Mandabi

Released: 1968

Platform: Max

Rating: TV-PG

Run time:

Cast
Makuredia Guey, Yunus Ndiay, Isseu Niang

Mandabi (1968)

About Mandabi

Mandabi literally translates to 'The Money Order'. It is a 1968 Senegalese film directed by Ousmane Sembène, based on his own novella. The story is an insightful social commentary on post-colonial Senegal. It tells the tale of Ibrahima, an illiterate man who receives a money order from his nephew in France. The movie explores the bureaucratic hurdles, parasitic relatives, and corrupt agents he encounters while trying to cash the money order.

Making / Production

The film was directed and written by Ousmane Sembène, who's often regarded as the 'father of African cinema'. Mandabi marked a significant turning point in his career because it was the first film he made in his native Wolof language, emphasizing his commitment to making films that reflect Senegal's lived reality.

Actors

  • Makhouredia Gueye as Ibrahima Dieng - He brilliantly portrays an illiterate but good-natured man who deals with societal corruption with dignity and humor.
  • Ynousse N'Diaye as Aunt Oumi - N'Diaye excellently plays the role of the caring aunt who tries to help Dieng navigate the complicated process.
  • Isseu Niang as The Second Wife - Niang plays the composed yet oppressed second wife, addressing the societal implications of polygamy.

Trivia / Interesting Facts

  • This was the first African feature film to be made in an African language.
  • The film explores the bureaucratic aftermath of Senegal's independence.
  • Sembène used a non-professional cast for a realistic portrayal of real-life Senegalese people.

Music, Soundtrack

  • Original Score by Manu Dibango - The legendary Cameroonian musician added an authentic African flavor to the film's score.

Quotes

  • 'I know that a piece of paper doesn't lie.'
  • 'In the colonial days, the man was the master. Now, it's the money.'

Note: Mandabi did not win any formal awards, but it is highly regarded in African cinema for its unique storytelling and cultural representation.