About Symbiopsychotaxiplasm: Take One

Symbiopsychotaxiplasm: Take One is a unique experimental documentary/drama that was first released in 1968. Directed by William Greaves, the movie presents a fascinating mix of reality and fiction that exists in a category of its own. The plot revolves around a love triangle taking place in New York's Central Park as a film crew captures the action. But the real focus of the movie is the behind-the-scenes dynamics and complications of producing a film, with Greaves himself playing the director of the movie within the movie.

Making / Production

This unconventional film was directed by William Greaves, a pioneering African-American filmmaker. The production involved filming a script in Central Park about a couple's unraveling relationship, but with an added layer of multiple cameras capturing both the actors and the filming crew's reactions. This approach led to a unique multilayered production, blurring the lines between reality and fiction.

Actors

• William Greaves: Playing himself as the director, Greaves masterfully weaves in and out of roles within the movie. He manages to arouse the curiosity of the crew and viewers, as he wavers between seeming to have lost control and having a clear vision of the outcome.
• Patricia Ree Gilbert: Cast as Alice, Gilbert's portrayal of the frustrated and wronged spouse is commendable and brings the tension on the screen to life.
• Don Fellows: Playing the unfaithful Freddie, Fellows embodies the complexities of a conflicted character grappling with his actions.

Trivia / Interesting Facts

• The title "Symbiopsychotaxiplasm" is derived from a theory of Greaves' own making, combining different concepts to reflect the layers present in life and society.
• The film didn't have a wide release until 1991, mostly due to its experimental nature and unconventional storytelling.
• The movie garnered a cult following and eventually led to a sequel titled "Symbiopsychotaxiplasm: Take 2 1/2" released in 2005.

Quotes

• "I would like to think that this kind of tension would operate for Saturday and Sunday" - William Greaves
• "I'm trying to keep you from making a total, total fool of yourself..." - Patricia Ree Gilbert as Alice

Music, Soundtrack

• The film features a jazz-driven original score by Miles Davis, creating an atmosphere that fits the tumultuous nature of the film.
• The percussive music lends a rhythmic flow to the narrative, reinforcing the dialogue and the confrontations.